Tag Archives: Ex Machina

Top Nine Movies of 2015

Woah, it’s June, and I haven’t done of these yet? Big reason is because there are some movies that I still haven’t seen. Like Carol, which I really need to get around to soon. Then there’s The Room, which I really should see, but am not sure if I’m ready for the toll of that movie.

So anyway, here are my, at current, top nine movies of 2015, with an extra space left for a movie that catches me in left field.

9. The Martian

It’s a well done movie about a Mars exploration; honestly that’s all The Martian needed. But that it’s dang entertaining and has a strong scientific (if not totally accurate) bent just makes it that much better.

8. The Big Short

This is a movie that made me not only understand, but laugh at the housing crash that may or may not screw over my financial future.

Yay.

7. Sicario

Woo, another movie about cartels. Except Sicario exists in a very gray world, where good and bad are hardly as clean cut as you’d want them to be. It’s a gripping story, where the lesser of two evils mayn’t be as much of a lesser evil as you’d hope. Plus, this is a movie that makes every freaking gunshot count.

6. Ex Machina

Ex Machina is a small movie that feels so much bigger. It’s tight focus on three characters really lets it explore them, and grapple with the questions of artificial intelligence. Plus, I love me some haunting science fiction, and that’s definitely what this movie is.

5. Infinitely Polar Bear

There’s a beautiful scene early on between the two leads as Maggie encourages Cam that he is capable of taking care of their daughters alone, despite his bipolar disorder. It’s heartbreaking, filled with a tragic honesty that goes on to permeate the entire movie. It’s not a story of recovery — that’d be too easy — instead it tells a story about not being alright. And it’s all the better for it.

4. Inside Out

I’m a Pixar nut; I’ve seen every one since Finding Nemo in theaters. What’s remarkable about Inside Out is how it handles a very grownup topic — depression — with such nuance. It, like Polar Bear is a story about not being alright; and though this one ends with recovery it is no less potent.

3. Mad Max: Fury Road

Dang, dude. This is an action movie. The movie’s outlandish spectacles and nonstop action grip you from start to finish. That it’s grounded with a strong feminist perspective is a bonus that makes it so much better. And that’s not even getting into the sheer craft of how it’s shot. I want more movies like this.

2. Creed

Watch this scene.

I can’t think of a movie as comfortable in its own skin as Creed. Filled with a youthful energy that fuels a terrific underdog story of identity, the movie is an expertly crafted fist-pumping, cheer-worthy movie. Plus, its use of motivated long takes shows The Revenant how to do it.

1. Star Wars: The Force Awakens

Could it have been any other movie? It’s a phenomenal follow up to the original, that captures the beautiful optimism that made the originals so special. But it’s the old movies updated with wonderful diversity and a worthy successor of a protagonist. This is Star Wars, this is a movie that reminds me why I like telling stories. This one wins, hands down.

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Living in Science Fiction

Is the movie Gravity science fiction? This was the discussion a friend of mine and I were having while talking about science fiction and fantasy winning Oscars — Gravity got Best Director, but is it really science fiction?

Wikipedia, IMDb, and such call it science fiction, given that it’s, well, in space. That’s usually the threshold for science fiction.

But something in space is hardly imaginative anymore. An astronaut who just returned from spending an entire year in space. SpaceX launches rockets on the regular. Of course, there is the room for an outlandish situation; Moon was grounded, but had mining on the moon, countless others have aliens. Gravity, though, is about someone being stranded in space because of a freak debris field. For all intents and purposes, the setting of Gravity is as much science fiction as Apollo 13. That is to say, it’s not, it’s really not.

Gravity is, in many ways, a more modern Castaway. In both stories relatively unqualified people are, due to an event beyond human control, stranded in the middle of nowhere by themselves that then prove the resilience of the human spirit by making their way back to civilization. Granted, Gravity takes place over a far shorter period of time, but that’s kinda due to the fact that it takes place in modern reality where people can’t breathe in space.

In other words, labelling Gravity science-fiction is a product of an outdated standard that something in space is automatically considered science-fiction. That’s something that makes science-fiction so weird as a genre: what’s scifi might not always be scifi. We don’t consider the first episode of Sherlock science-fiction, even though its heavy use of smartphones would definitely qualify it as some sort of techno-thriller were it produced in the eighties. Same with Gravity; it isn’t science-fiction today, but to, say, the sixties it’d be what The Martian is to us today.

Science-fiction, at least the sort inhabited by movies like Moon, The Martian and Ex Machina (more fantastical fare like Star Wars and Star Trek are another matter entirely), are rooted in having some bit of futuristic technology. Moon’s got lunar mining, The Maritian’s got a Mars base, Ex Machina incredibly advanced AI. But if we were to develop any of those technologies the fiction part of the science would be closer to the events surrounding them. If we were to develop both rogue AI and hover cars, the biggest incongruity in Blade Runner would be that Atari was supposed to still be a major brand.

I think that’s one reason why I’ve always loved science-fiction — there’s this air to it of asking what if. What if there was something new that would change the world. It takes what you know and twists it to be something, well, more. It’s a dreamer’s genre. What if you could live on a submarine deep beneath the sea? What if we made contact with aliens? What if there were giant monsters trying to kill us and so we made giant mecha to fight back? What if we could carry phones out of the house and in our pockets?

So is Gravity science-fiction? If it is, it’s still a good movie, but it’s pretty low-grade science-fiction.Yes, it fully utilizes the genre’s capability for telling parables, but it doesn’t really do anything with the almighty What If. Not to mention it’s something that, given the right circumstances, could happen tonight. I realize I’m going back on what I said some time ago in another blog post (the one I just linked to), but no, I don’t really think Gravity should count as science-fiction.

‘cuz we’ve already got people in space doing space things on space stations.

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