Tag Archives: Logan

Top Nine Movies of 2017

So it’s almost halfway through the year and I’m finally putting together my year end list. For 2017. Yeah. Kinda forgot about it. And by forgot about I mean procrastinated.

Anyway! Here we go! Top Nine; leaving a space just in case there was something amazing I missed.

9. Logan

This one edges out Thor Ragnarok just by virtue of how singular it is (though Ragnarok is also quite singular in a different way). Logan takes the idea of a dark and gritty superhero film but, rather than using this just to show how adult and grownup it is, it funnels it into a heavy atmosphere that evokes a Morricone western by way of The Last of Us. The result is a beautiful contradiction, the pulpy fun of a superhero story set in a harsh, unforgiving mood. That Logan has something to say and it’s not just “look how gritty and violent I can be with my R-rating” is the icing on its brutal cake.

8. Coco

Where do I begin. It’s no exaggeration when I say that Pixar is home to some of the best storytellers in the world, and Coco proves that point over and over again. It’s a fantasy, but one that draws on Mexican traditions rather than western ones. Not content with just being a fairy tale with a Latinx cast, Coco revels in its beauty and celebrates love and family.

7. Lady Bird

It’s so seldom that we see a movie about being a teenager that presents it as, well, just how it is. Lady Bird makes no attempt to overly romanticize or deglamorize turning eighteen and the result is a movie that feels beautifully, brutally honest. There’s no judgement of poor decisions, no moralizing, it’s just life.

6. The Big Sick

Like Lady Bird right above, The Big Sick tells a very specific, personal story (that of the co-writers’) and in doing so tells a story that feels very personal. Maybe I’m biased, given that I’ve spent my time in and around hospitals and am currently in an interracial relationship, but isn’t the point of art the way it affects you the viewer? Plus, the movie has heart to spare and I will never not be happy to see mixed race relationships on screen.

5. Get Out

Speaking of interracial relationships! It’s a horror movie where white people are the monster. If that’s not inventive enough to warrant Get Out a place on this list, than know that the movie operates with such craft and imagination that it never feels like a one trick pony getting by on that conceit. At times both funny and terrifyingly tragic, Get Out is a great movie that looks at race relations with a horror movie’s lens. And hot damn, it works.

4. Atomic Blonde

There is always a joy in finding a movie that knows exactly what sort of movie it is and then plays it to the hilt. Atomic Blonde is a stylish, sexy spy movie whose Cold War Berlin punk influences permeate every aspect of its design. Throw in some terrific action scenes and more style than half the movies released last year combined and you have the recipe for a really kickass action movie.

3. Baby Driver

One of my favorite parts about driving is listening to music. Baby Driver makes that element of soundtrack vital to its slick, slick style. Technically excellent (that editing! that sound design! that driving!), it also tells a really fun story with some really fun characters. Edgar Wright is one of my favorite directors, and Baby Driver does not disappoint.

2. The Last Jedi

Where The Force Awakens was a celebration of what made the original movies so great, The Last Jedi forges a path into what Star Wars can be. I’ve written a bunch about it on this blog, and suffice to say, it finds ways to reinvent and play with the Star Wars mythos without losing the heart of the saga. Plus, the Throne Room fight is one of the best action sequences in a Star Wars film.

1. Your Name

It’s an anime where two teenagers, a boy living in the city and a girl in the countryside, wake up in each other’s bodies. And it will make you cry as it runs circles around whatever genre (rom-com, teenager comedy, etc) you try and pin it in.. It’s so hard for me to sum up why I love this movie so I’m just gonna make quick statements. It’s really funny. It does a lot with its fantastical elements. It’s uniquely Japanese. The music. The animation. The feels. Your Name is a movie that can somehow only exists within the innate magical realism of an anime. It’s really a wonderful, wonderful film.

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Okay, Seriously, What Is A Superhero Movie?

A couple weeks ago I was at The Strand looking for a copy of Margaret Atwood’s The Handmaid’s Tale. Because it’s on my personal reading list and I figured it’s as good a book as any to pick up at The Strand. Anyway, after scouring the A’s in the science fiction section, I was directed to check in general fiction. And there it was.

Which, alright, fine. I mean, it’s vaguely science fiction – though Atwood prefers describing it as speculative fiction which I’ve seen argued as being the same and/or different from general science fiction – in that it’s set in an indistinct future that’s the vague result of the progress of technology and climate issues circa the mid-80’s. But it’s no more science fiction than, say, The Dark Knight where the biggest diversions from reality are burn wounds, a futurist’s view of cellphone tech, and a loose interpretation of grappling hook physics. Though since one’s a superhero movie, one gets to be in Serious Fiction and the other, not (granted, one’s a book and the other’s a movie, but I digress).

So what is science fiction? And what’s a superhero movie? Which brings me to Logan, a movie that’s been called a great superhero movie in part because it’s so unlike every other superhero movie.

And in all honesty, Logan’s great. Really. It’s an interesting movie that meditates on its down time as much as on its brutal action sequences. It also just might be a better adaption of The Last Of Us than the Old Man Logan comics. And people are calling it a really good superhero story.

But is it a superhero story?

This is something I think about every now and then, and as superhero movies – usually meaning adaptions of DC or Marvel comics – become bigger and bigger tentpoles, the definition of it starts to be blurry.

Because Logan features very little superheroing tropes. There aren’t any fancy outfits and there’s very little romantic derring-do. It’s more drama than anything, one with a dosage of science fiction. So really, it’s more of a science fiction drama than a, quote-unquote, “superhero movie.”

It’s times like this where genre really starts to break down. Because, technically, Logan, Guardians of The Galaxy, and Iron Man are all in the same ‘genre.’ Even though Guardians is more like a Star Wars movie and Iron Man is as action adventure. But Logan is on top of those because it’s a ‘serious’ movie and un-superheroey

The thing about genre is that it creates a stratification of stories. Look at any given bookstore and all the ‘important’ books go in the fiction section, while much of the rest is classified as science fiction, fantasy, mystery, and young adult. The movies that win big awards are most always not-genre movies; saying ‘comedy’ or ‘action’ almost instantly disqualify you.

As someone who creates a lot ‘genre’ stories, this bugs me. As someone who likes a lot of ‘genre’ stories, this bugs me a lot. ‘cuz in the past decade we’ve seen superhero movies take on a host of forms, be they a thriller like The Dark Knight or a hijinky fantasy adventure like Thor. In the century-or-so since its inception, science fiction has been Star Wars and District 9; The Handmaid’s Tale and Ready Player One. We’ve seen good superhero movies, and we’ve seen Batman vs Superman. These run the gamut in their type of story, setting, and quality. Y’know, it’s starting to sound like they’re just stories.

Now, I’m complicit in this, I use the terms ‘science fiction’ and ‘superhero film’ with abandon. But when I say I like the former, I say I like the fun adventure that’s been a hallmark of Marvel Studio’s output. I love science fiction’s imagination and willingness to go to places unseen (as opposed to the onslaught of White People Problems that ‘drama’ tends to be code for [coughLaLaLandcough]). As fiction evolves and lines get blurred (is Gravity science fiction?), our old definitions of genre don’t work so well. So I will enjoy the most fictitious of science fictions and the most heroic of superhero movies, even if those movies don’t really fit the Platonic ideal as a superhero film.

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