Tag Archives: The Winter Soldier

Interconnected

I’ve been waiting for Agents of SHIELD to really get into its groove proper. It finally did last week, courtesy of some major plot points from Captain America: The Winter Soldier.

Which is kinda odd, really. A feature film bearing a different name affecting a TV show that much. I mean, it makes sense within the universe they’re creating, but from a meta perspective, it’s terribly uncommon.

And that’s one thing I love about the stories Marvel Studios’ been telling. They’re all connected. This was a gamble. Back in 2008 when Iron Man came out and Nick Fury mentioned the Avengers Initiative, Marvel was asking audiences to wait a few years and watch a few seeming unrelated movies in hope of a big team up coming out later. It could have failed, some of the movies could have sucked, but they took the risk to try and build their cinematic universe.

Seeing as The Avengers made what businesspeople call a ‘crapload of money,’ it paid off. Not only that, but it was a legitimately awesome film. Best of all, it stood alone. You didn’t have to have seen any or all of Iron Man, The Incredible Hulk, Iron Man 2, Thor, or Captain America: The First Avenger to get it. Sure, watching those movies helped, but it was great on it’s own. Each Avenger was quickly and succinctly introduced enough for a new viewer to get what was happening.

Every Marvel movie works that way. Someone can see The Winter Soldier on its own, or after having only also seen The First Avenger, or seen all the films in the Marvel Cinematic Universe chronology as well as Agents of SHIELD and enjoy it. There’s a decided effort for each film to be able to stand on its own and yet play with the others around it. They compliment each other but are not dependent on the others. It’s a fun sort of storytelling; you follow a group of independent characters and then see them all in a big event, then see them apart again.

Marvel’s asking viewers to embrace a sort of storytelling not really seen in film (or TV, really). Outside of the occasional Alien VS Predator, having independent franchises team up like what happened in The Avengers just doesn’t happen. Though it does in the comics. Their Guardians of the Galaxy title may intersect with the Avengers title, but you don’t have to be following both to understand what’s going on. Does it help? Sure, but it’s not a requirement.

Consider the last episode of Agents of SHIELD, “Turn, Turn, Turn.” What happened in The Winter Soldier directly affects the show in a massive game changing sort of way. Like in the comics, they’re weaved together to stand alone but also enhance each other. “Turn, Turn, Turn” offers a different perspective on what happened in The Winter Soldier and the film shows the big picture of the events in the show.

This also makes great business sense. See, Marvel’s smart; they know that not everyone will watch every one of their movies. It’s to their benefit for every film to be as stand alone as they are. It allows them to remain accessible to anyone. Winter Soldier deftly sets up Steve Rogers as being a man out of time who feels a bit lost in a way that doesn’t feel obtrusive to someone who’s seen the prior movies, yet so that someone new can follow what’s going on. It plain works. Add in the fun of getting more understanding the crossovers and Marvel’s market expands.

I’m so glad Marvel managed to pull this off. Things like seeing Bruce Banner at the end of Iron Man 3, references to Stark tech in The Winter Soldier, and Sif showing up in Agents of SHIELD remind me of the Iron Man and Spider-Man cartoons I’d watch as a kid where anyone could and would show up. Somehow, Marvel did it: they made a cohesive cinematic universe. Now I really wanna see what happens next in that world.

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Genre Blending

Remember when superhero movies were just becoming a thing? They usually fell into the same pattern: someone gets powers and saves the world. Fairly straight forward, right? Sure, there were different approaches to the idea: X-Men drew on themes of discrimination and Spider-Man was about a hero trying to balance life and superheroing. The Dark Knight, Watchmen, and The Incredibles deconstructed several tropes associated with the genre, and Iron Man and The Incredibles reconstructed a deal of them (yep, The Incredibles did both). But at the end of the day, all of them were, for the most part, variations on a theme.

Then Thor rolled around. While, yes, it was still about a superhero saving the world, the film and character were approached like a fantasy film in the vein of The Lord of the Rings rather than an out-and-out ‘superhero film.’ The result was a movie that felt very different from, say, Iron Man. Suddenly the superhero genre had expanded. Thor wasn’t just about a normal guy getting powers; it was about a fantastical superhuman progressing through the hero’s journey in a blend of fantasy and reality.

A few months later Captain America: The First Avenger came out, transplanting a superhero movie into a period piece (like The Incredibles!). Unlike The Incredibles, though, The First Avenger fully embraced its time period: World War II. Just as Thor crossed into fantasy, this film blended the a war movie with superhero tropes. Yes, The First Avenger still has all the hallmarks of the superhero film, but it’s hardly a strict superhero movie. We have a superhero who’s more like a commando (or is it the other way round?). Similarly, X-Men: First Class (also released in the Summer of 2011) took place in the ‘60s, keeping its discrimination subtext and mixing it with Cold War imagery.

Which brings me to The Winter Soldier, the trailer of which just dropped (if you haven’t seen it, go now!). The new Captain America movie seems to be, like The First Avenger before it, dispensing with a lot of ‘classic’ superhero tropes. If anything, The Winter Soldier is shaping up to be more like a political thriller in the vein of Patriot Games or The Bourne Identity rather than Iron Man. Yes, it’s still a movie about Captain America and there is an evil looking villain; but Blade Runner has androids and it’s not Star Wars. It’s not solely a film of one genre.

As a genre, superhero movies, like science fiction and fantasy before it, are rapidly becoming far more diverse with their subject matter. The Avengers drew some aspects from war movies, Man Of Steel focused its central theme not on Superman vs Zod but on the question of Superman’s identity. Of course, this doesn’t always go so well; Green Lantern tried to create a space opera and, well, failed miserably. So what did Green Lantern do wrong? Does space opera simply not work with superheroes? No, Green Lantern was a reminder that blending genres isn’t enough: you always need a good story.

Fun thing is, this trend shows no sign of stopping. Upcoming Thor: The Dark World is still a fantasy (directed by some Game of Thrones alum, no less), Guardians of the Galaxy is looking to be Marvel’s attempt at a space opera, and Ant-Man is gonna be an Edgar Wright film. Why is this so important? Folks, we’re watching a genre develop.

 

Short post? Yes. Why? I’m working on a short film this weekend. I’m busy. Heck, I hardly have time to go out and watch movies.

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