We Get The Subtext, Alright?

Being stuck in a plane for sixteen hours is only somewhat alleviated by in-flight entertainment. Which is somewhat undermined by a dismal selection of comedies. Because when you’re trapped in a flying aluminum tube, you don’t wanna have to think too hard. Also, I once watched Fruitvale Station on a plane and I was in… Continue reading We Get The Subtext, Alright?

(Re)Constructing Narratives

Yes, this is sort of a follow up to to last week’s post, but in my defense I’ve been reading an anthropological book on inclusion/exclusion stuff. So bear with me. We need more narratives, that’s a given. Meaning we need there to be more versions of what can happen to people, and what people can… Continue reading (Re)Constructing Narratives

Importance of Different Narratives

Narratives are important. They don’t just affect how we interpret events happening around us, but influence the way we see the world. Stories tell us what to expect. The question then is what narrative do we hear? Chances are, there’s an ‘accepted’ version of it all. Y’know the saying about history being written by the… Continue reading Importance of Different Narratives

Metanarrative, Cervantes, and The Princess Bride

The Princess Bride is (probably) my favorite movie. It also happens to be based on a book, which I first read in my mid-teens. Now, the book caught me off-guard. It was far more cynical than the film and there was this whole mess about William Goldman’s personal life. I read it again a few… Continue reading Metanarrative, Cervantes, and The Princess Bride

In Defense of Destiny’s Story

I talk about video games a lot on this blog, because I love them and play a lot of them. I also write about storytelling because it’s kinda my thing. Now, there’s a lot to say about video game narrative, which, honestly, can apply to narrative in general. Games are special because narrative — or… Continue reading In Defense of Destiny’s Story

A Narrative Is A Train

So I saw The Amazing Spider-Man 2. Though the final act is excellent, the film as a whole tends to stumble where the prior movie succeeded. Why? It lacked a central through line to follow. See, the first Amazing Spider-Man had a core theme: Who is Peter Parker/Spider-Man? Every thread in the story’s web (ba-dum… Continue reading A Narrative Is A Train