Tag Archives: The Last of Us Part II

Are We Having Fun Yet?

This week, I finally replayed The Last of Us in full or the first time since it came out seven years ago. It’s not an easy game to play, and one I’ve put off for a long time. But The Last of Us Part Two came out on Friday and I figured I oughta finally replay the first one that I love so much (and cited on my university rationale, so, y’know). I’ve started Part Two and, man, it’s striking how far video games have come in seven years.

But this post isn’t about that.

This one’s about fun.

Fun is weird. Play is odd. There are people who try and figure out how to describe it, people like John Huizinga and Bernard Suits and many others. It’s elusive, something I’ve discussed on this blog before, and much of that is due to how we use language to describe ‘fun.’ Something being fun can be described as entertaining, and you could also see it as being joyful. This would rule out a lot of heavy non-fiction and ‘serious’ movies; we aren’t really ‘playing’ when we’re watching Christopher Lee in The Wicker Man, are we? For the sake of simplifying a complex argument, maybe let’s just focus on games, since those necessitate an active role by the participant — and are also things that one stops if they aren’t having fun.

While talking about The Last of Us Part Two with a friend of mine, and he said a review had described it as a ‘misery simulator.’ Please understand that this is amidst a conversation about how we’re looking forward to the game, and in this context ‘misery simulator’ is a good thing.

So, uh, why?

I’d argue that one reason why games are fun is because they are mechanically satisfying, that is there is pleasure to be had from using the rules of the game well. Board games like Scythe or Game of Thrones are fun because, even though they’re really hardcore with interlaced systems and require thinking several turns in advance, throughout all that strategic stress there is that satisfaction that comes from things working out. You’ve been given a puzzle consisting of the game’s rules and the other people and your job is to solve it. The better your solutions, the better the game.

Schoolyard tag is fun not just because you get to run around, but you’re running with a purpose. Figuring out how to avoid who’s It so you that become It yourself, the mechanics of the game is a very simple puzzle played out by reflex.

Expounding on that, a video game is ‘fun’ in some ways because of the mechanics. Borderlands has a really satisfying gameplay loop of shooting bad guys and getting loop and it’s fun to do. The Sims’ sandbox for you to play out lives is designed in such a way for gameplay to be smooth and rewarding. The Last of Us, even as gutwrenching as the story is, is still ‘fun’ in that there’s a delight to be had when you manage to sneak past a group of Infected or getting out of a particularly hairy encounter. Even if it’s thematically crushing at times, it’s still gratifying to play because the game lets you be good at it.

I’m only a few hours in The Last of Us Part Two, I’ve been taking my time and making sure to really enjoy it. Thus far, it’s terrific, and exploration has been a lot of, yes, fun. I know the game is going to take a dark turn (but I don’t know when, where, or how), but I know I’ll probably keep playing because, well, I wanna know what happens, but also because, yeah, the game’s fun to play. In that even if things get really rough, it’s still immensely gratifying to play.


So yeah, I guess I am having fun.

 

Remember: Black Lives Matter. Please take a minute and help.

Leave a comment

Filed under Uncategorized

Violence in Video Games

The first trailer for The Last of Us Part II is haunting in its tranquility. We’re treated to shots of the desolated post-apocalyptic world where nature’s reclaimed a neighborhood. Inside a house, Ellie strums a guitar, singing “Through The Valley,” a take Psalm 23. Recently killed bodies lie around the house and Ellie herself is splattered with blood. Joel confronts her at the end, asking if she still wants to go through with it. Ellie’s answer? She’s going to kill every last one of them.

There’s little movement in the trailer beyond Ellie playing the guitar and Joel walking through the house, but it evokes the mood of the first game with its contrast between brutality and serenity.

A second trailer just came out, and this one might just be the opposite of the first. It’s a single scene between six characters and it is vicious in its depiction of violence. Two guys get shot with arrows. A woman is strung up in a noose, another has her arm bones shattered with a hammer, and a third gets impaled in the side of her head (unrelated: cheers to Naughty Dog for their diversity). It’s brutal and, at times, hard to watch. The trailer, like the first The Last of Us, doesn’t shy away from the garish nature of its violence. In short, it’s a lot to take in.

Naturally, it raises the question of whether or not video games should even have this sort of violence, and, in addition, whether or not it glorifies brutal hyperviolence. The first question is based on the idea that video games are fundamentally a medium for kids; there wouldn’t be any question about this sort of content in a film or a book. If we’re going to have a discussion about violence in video games, it’s important to agree that video games, like any other medium, can be targeted to children or to adults. The Last of Us, and its sequel, are rated M, the equivalent of an R-Rating in film. These games are not meant for kids in the first place.

It’s also key to realize that games are, by nature, more visceral. You’re not watching someone get killed, you’re doing the killing (via a digital avatar). The player is, oftentimes, not passive in the action unfolding on screen. A lot of the time it’s a result of what the player does.

But video games are a form of art, and as with any, there are different ways to depict something. A game like Army of Two: The Devil’s Cartel revels in its over-the-top violence. Bullets fly everywhere as you mow down villainous cartel members, get a bigger gun and limbs go flying off; it’s violent to the point of being cartoonish. There’s no second thought paid to the bloodbath, as there isn’t in films like The Expendables and Commando, they’re different beasts from, say, Drive.

Compare that to The Last of Us, a game which refuses to let you enjoy killing. If you’ve downed an enemy, be it through bullets or a metal pipe, and you go in for the kill with your bare hands (to save on supplies), the fallen enemy will sometimes beg for mercy. Not in a way that makes you, the player, feel mighty, but in a way that makes you feel like a monster.

The immersive interactivity of video games gives the genre a great deal of space to explore themes like violence. Take Metal Gear Solid V, a war game that’s vehemently antiwar. You play as Venom Snake, the leader of a private military company who is hellbent on revenge. Throughout the game you can pour funds into R&D, getting cool new rifles, shotguns, and rocket launchers (and more!). These weapons can, in turn, be used to kill enemy soldiers. But playing aggressively — killing everyone, executing wounded enemies, running over wild animals — and over time the piece of shrapnel lodged in Snake’s skull will grow into a horn. Keep it up and he will be permanently drenched in blood, not just in gameplay but in cinematic cutscenes too. If you have a tendency towards violence, MGSV doesn’t let you forget that you’re a killer.

The new trailer for The Last of Us Part II isn’t a fun watch. It’s not exactly the sort of trailer that would really entice any newcomers to the series either, given that it’s quite obtuse with any sort of details. Rather, it serves as an addendum to the thesis of the first game and trailer: survival is a brutish thing and there is no joy in violence. If Ellie is indeed set on a path of revenge, then Part II will not let her (and by extension, the player) forget what that means. There is a space for this sort of violence in video games, and, with their special ability for immersion, games can comment on it, just as any other form of storytelling does.

Leave a comment

Filed under Uncategorized