Top Nine Movies of 2015

Woah, it’s June, and I haven’t done of these yet? Big reason is because there are some movies that I still haven’t seen. Like Carol, which I really need to get around to soon. Then there’s The Room, which I really should see, but am not sure if I’m ready for the toll of that… Continue reading Top Nine Movies of 2015

Visions of the Future

There are a lot of things I like about science fiction, chief among them the genre’s capacity for using metaphor to discuss bigger ideas. Like how the original Gojira explored nuclear fears and Edwards’ Godzilla discussed the question of the relation between humanity and the environment. But another thing I really like about science fiction… Continue reading Visions of the Future

Superhero Stardom (A Response)

There’s a recent New York Times article I came across that laments how the rise of the superhero genre has conflated actor-stardom with character-stardom. The article itself doesn’t really chase down the points too well, but the central gist (as far as I can see) is that in the recent slate of films, characters have… Continue reading Superhero Stardom (A Response)

The Elusiveness of Fun

What is fun? No, not what’s fun to do, what does “fun” mean? Johan Huizinga, a Dutch guy that wrote a lot about play and what play means, said in his Homo Ludens that “this last-named element, the fun of playing, resists all analysis, all logical interpretation.” He goes on to lament that there’s, to… Continue reading The Elusiveness of Fun

A (Civil) War of Flaws

Civil War came out. This post it about that. Yes, that’s all the intro I’m giving. Marvel’s done a fantastic job of giving their characters major flaws. Look at the original (cinematic) Avengers: Iron Man’s selfish, Captain America’s noble to a fault, Thor’s proud, The Hulk’s, er, angry, Black Widow doesn’t trust anyone, and Hawkeye’s… Continue reading A (Civil) War of Flaws

Order, and Narrative Thereof

I’m one of those people who will respect you less if you pick an album to play, and then play it on shuffle. See, there’s a deliberate rhyme and reason for the order of songs on an album. U2’s War needs “Surrender” to be its penultimate song. After an album about war, violence, and fighting… Continue reading Order, and Narrative Thereof