Thoughts and such by Joshua Tong
There are five days left for my movie’s Kickstarter. So that means it’s time for me to go on a spiel about why you should fund The Conduits. ‘cuz I’m really proud of this story and want you to be able to see it when it’s done without all that festival hoopla (and just for… Continue reading Where Josh Explains Why You Should Fund His Movie
There’s a new Star Wars trailer out, this time for Rogue One! Now, when they announced it to be about a ragtag band of Rebels stealing the Death Star plans; that got me excited. I’m all about ragtag teams pulling off heists. But then they announced the cast. We’ve got Felicity Jones starring and, in… Continue reading Something Something Diversity Something Star Wars
The Force Awakens’ planet-obliterating Starkiller Base is powered by absorbing its system’s sun and firing it as a weapon. This mechanic allows fighter pilot Poe Dameron to utter the phrase “but as long as there’s light, we got a chance” without it feeling remotely hollow or contrived. It reflects, as well, the standoff going off… Continue reading Josh Kinda Just Wants To Talk More About Star Wars
I’ve had this blog for about four years now. Four years. And I’m pretty sure this is the first time I’ve missed my self-imposed midnight EST deadline. Why? I’ve been hard at work on my movie, The Conduits, and today marked us being half done with shooting. Which is good. In the meantime you should… Continue reading Four Years
One of the wonderful agonies I found when I started watching Lost years and years ago was the show’s tendency to show a character’s reaction to a revelation/object/monster rather than the revelation/object/monster itself. It became characteristic of the show, and something emblematic of Abrams’ style. Granted, J.J. Abrams had little involvement with Lost past the pilot,… Continue reading Fear of The Unknown
Stories are often a reflection of reality. Star Wars was a reflection of the existential threat posed by the Cold War. The Hurt Locker was, quite obviously, a discussion of the human cost of war. The Revenant reflected Leonardo DiCaprio’s all-consuming want for an Oscar. And then there’s Zootopia. Which holds an unrelenting, condemning-yet-hopeful mirror… Continue reading Of Zootopia
Is the movie Gravity science fiction? This was the discussion a friend of mine and I were having while talking about science fiction and fantasy winning Oscars — Gravity got Best Director, but is it really science fiction? Wikipedia, IMDb, and such call it science fiction, given that it’s, well, in space. That’s usually the… Continue reading Living in Science Fiction
I’m currently in the middle of my second game of Subterfuge, a wonderful mobile strategy game rife with cunning, manipulation, and, er, subterfuge. Within the game our Specialists, special hires which essentially let you bend the rules of the game. While most everything in the game is depicted abstractly, the Specialists are all given little… Continue reading Differently Normal
I finally saw The Revenant this week. I also saw The Hateful Eight the same day and it’s really interesting to have seen them back to back. Both are by directors who are arguably auteurs, both are classified as Westerns, and both are covered in their fingerprints. Filmmakers have their trademarks. Something by Joss Whedon… Continue reading Tarantino, Iñárritu, and The Art of Indulgence
I’ve had some brushes with virtual reality before, through prototype Oculi and Google Cardboard — working at a game center has its perks. It’s really cool to be able to see a world around you and look around it; one game in particular had a PS3 controller hooked up so you could move too. All very… Continue reading Juggling an AK
