I’m currently in the middle of my second game of Subterfuge, a wonderful mobile strategy game rife with cunning, manipulation, and, er, subterfuge. Within the game our Specialists, special hires which essentially let you bend the rules of the game. While most everything in the game is depicted abstractly, the Specialists are all given little portraits. And here’s where the game’s art design shines: LOOK AT THAT DIVERSITY! For a wonderful change, ‘white male’ isn’t the default look and no one’s role is limited by their race; the Navigator’s Asian and the Princess is black!
There’s a misconception that making a character not a white dude means having to make it a story about not being a white dude. Which is a real pain. Sometimes it’s nice to get to just be seen, no strings attached.
Look at Big Hero 6, which I liked for a number of reasons, in no small part because I got to watch a movie with a main character who looks like me. Another reason I really liked it was that Hiro’s race was completely inconsequential. Hiro’s half-Asian (like me!) but he still gets to be the everyman. His race has no more to do with his arc than Luke Skywalker’s. And that’s cool!
See, when ‘white and male’ is subliminally registered as the default, chances are you’re going to go with a white dude when you need someone relatively nondescript and ordinary. So when you need an everyman — y’know, that person who could be anyone — you end up going with a white guy. It’s why Bruce Willis played the ordinary cop who had to save the building in Die Hard. It’s why Bruce Willis played the ordinary cab driver who had to save the galaxy in The Fifth Element. It’s why Bruce Willis played the ordinary driller who had to save the planet in Armageddon.
But you can shake things up and make, say, a woman the chosen one. Or a black dude the guy who decides to try and fight for something more. And a Latino the ace fighter pilot. Guys, I really like The Force Awakens. But it’s important, because it — and this is crucial — means anyone can be anyone.
I’ve been watching The Expanse later, because I’m a sucker for spaceships with excellent worldbuilding and interesting politicking. What’s also caught my attention is the show’s bent towards inclusiveness. Most obvious is the Undersecretary of the UN who’s played by an Indian woman — and dresses the part. She’s hardly a simple ersatz Gandhi, though; Chrisjen Avasarala is afforded the same complex goals and characterization of Cersei in Game of Thrones. In The Expansive we find an Indian character with depth and complexity well beyond what’s usually afforded non-white characters in Western media. There’s more, too! In one episode we hear reference to the Captain of a Martian warship. When we meet her, she’s Captain Yao, a small Chinese woman who’s first name is essentially ‘Captain.’ That is to say, her identity as ship’s captain is in no way impacted by her race: she’s not a Chinese captain, she’s a captain who happens to be Chinese. The distinction here is crucial, it means that these characters’ identities can be defined more by their jobs and personalities rather than the color of their skin.
Look, there’s a time and place for stories about race. But if the only stories about people who aren’t white is about being non-white, it’s just another form of discrimination where only caucasian people get to be ‘normal.’ We need more Hiros and Avasaralas, characters who get the depth and complexity no matter what they look like. Let’s make the everyman anyone.