There are five days left for my movie’s Kickstarter. So that means it’s time for me to go on a spiel about why you should fund The Conduits. ‘cuz I’m really proud of this story and want you to be able to see it when it’s done without all that festival hoopla (and just for $9!).
So what is this whole production? The Conduits is fundamentally a student film, given that it’s being worked on primarily by students and being produced through NYU. Thing is, I’m not a film major, I’m in NYU Gallatin studying what I’ve termed Narrative (Re)Construction. I wanna tell stories — good stories — and I felt that learning about the why and how of storytelling was as important as the craft (hence posts Cervantes and subtext). But this also meant that I was in no way guaranteed the chance to make a thesis film. Through incessant emailing, this year I became the first non-Film Major to compete for the chance to make an advanced-level film and get the allotment of film equipment. In all honesty, I was pretty excited just to have gotten to this point. And then it came time to follow through and actually make a movie.
I knew going in what sort of story I wanted to tell: It was movies like Star Wars that made me wanna tell stories and make movies in the first place. If I was going to make a film that was the culmination of college, it was going to have to be an action-adventure. Something with stunts and lasers. Something unlike a typical student film. Best part is: we pulled it off. One day on set we had a foam brick rigged up with fishing wire so we could get that shot that closes the teaser. Another day we had an actor rigged up with wires to be yanked backwards on to mats. We got to takeover a park in Brooklyn and film a showdown. It’s the sort of production I could only dream about when I started making movies twelve-odd years ago.
There’s more that I’m proud of. I talk a lot on this blog about diversity, almost to the point of self-parody. But if diversity is as easy as I say it is, I better well follow through with it. When Kerry, my Casting Director, and I started casting, we made an effort to put aside the notion of white-as-default. And here we are, with a science-fiction student film starring people-of-color. A cast which, for the record, knocked it out of the park. As a writer, I’m usually terrified that what I put down on paper won’t translate onto the screen, but on set I got to watch the script I’d fretted over come to life. They brought the meaning to the story and I couldn’t help but grin like an idiot.
Which, of course, brings me to my crew. Man, my crew. Film is, in so many ways, a collaborative medium. Anyone who says otherwise is conceited git. Alex Hass, my Director of Photography, is the one responsible for the entire look of The Conduits and for making sure that our action scenes played out on camera. It’s incredibly valuable to work with someone who excels where you’re weak. Not only that, but the crew as a whole showed a great deal of humility and a willingness to learn. Kerry came by to visit one day and became our sound mixer; everyone went above and beyond their prescribed roles and helped wherever help was needed.
We’ve wrapped on filming and are now in post-production. Which, in this case, means visual effects for lasers and glowing gems in addition to the usual like color correction and music. Production itself cam in under budget (woo!) but we’re still looking at a hefty price tag. As I’m writing this, we’re $600 away from our goal, and that much closer to finishing this movie. I’m really excited about this movie and so I’m asking you to come and be a part of it.
Oh, and here’s the teaser again (like I said, super proud, super excited):