Woah, it’s June, and I haven’t done of these yet? Big reason is because there are some movies that I still haven’t seen. Like Carol, which I really need to get around to soon. Then there’s The Room, which I really should see, but am not sure if I’m ready for the toll of that… Continue reading Top Nine Movies of 2015
Tag: Movies
Clever Stupid
Hot Rod is one of my favorite movies. I’ve got its poster framed in my living room, and it’a movie that I’ve analyzed on this blog for its presentation of Rod’s mustache as a symbol of self-actualization. It’s also not a movie you’d expect to be analyzed, seeing as Hot Rod is, well, incredibly stupid.… Continue reading Clever Stupid
Superhero Stardom (A Response)
There’s a recent New York Times article I came across that laments how the rise of the superhero genre has conflated actor-stardom with character-stardom. The article itself doesn’t really chase down the points too well, but the central gist (as far as I can see) is that in the recent slate of films, characters have… Continue reading Superhero Stardom (A Response)
The Elusiveness of Fun
What is fun? No, not what’s fun to do, what does “fun” mean? Johan Huizinga, a Dutch guy that wrote a lot about play and what play means, said in his Homo Ludens that “this last-named element, the fun of playing, resists all analysis, all logical interpretation.” He goes on to lament that there’s, to… Continue reading The Elusiveness of Fun
A (Civil) War of Flaws
Civil War came out. This post it about that. Yes, that’s all the intro I’m giving. Marvel’s done a fantastic job of giving their characters major flaws. Look at the original (cinematic) Avengers: Iron Man’s selfish, Captain America’s noble to a fault, Thor’s proud, The Hulk’s, er, angry, Black Widow doesn’t trust anyone, and Hawkeye’s… Continue reading A (Civil) War of Flaws
Order, and Narrative Thereof
I’m one of those people who will respect you less if you pick an album to play, and then play it on shuffle. See, there’s a deliberate rhyme and reason for the order of songs on an album. U2’s War needs “Surrender” to be its penultimate song. After an album about war, violence, and fighting… Continue reading Order, and Narrative Thereof
Where Josh Explains Why You Should Fund His Movie
There are five days left for my movie’s Kickstarter. So that means it’s time for me to go on a spiel about why you should fund The Conduits. ‘cuz I’m really proud of this story and want you to be able to see it when it’s done without all that festival hoopla (and just for… Continue reading Where Josh Explains Why You Should Fund His Movie
Fear of The Unknown
One of the wonderful agonies I found when I started watching Lost years and years ago was the show’s tendency to show a character’s reaction to a revelation/object/monster rather than the revelation/object/monster itself. It became characteristic of the show, and something emblematic of Abrams’ style. Granted, J.J. Abrams had little involvement with Lost past the pilot,… Continue reading Fear of The Unknown
Of Zootopia
Stories are often a reflection of reality. Star Wars was a reflection of the existential threat posed by the Cold War. The Hurt Locker was, quite obviously, a discussion of the human cost of war. The Revenant reflected Leonardo DiCaprio’s all-consuming want for an Oscar. And then there’s Zootopia. Which holds an unrelenting, condemning-yet-hopeful mirror… Continue reading Of Zootopia
Living in Science Fiction
Is the movie Gravity science fiction? This was the discussion a friend of mine and I were having while talking about science fiction and fantasy winning Oscars — Gravity got Best Director, but is it really science fiction? Wikipedia, IMDb, and such call it science fiction, given that it’s, well, in space. That’s usually the… Continue reading Living in Science Fiction
