Playing With Expectations

In celebration of the wonder of Netflix, I decided to watch Drinking Buddies the other night. The premise is nothing new, Luke and Kate are coworkers with incredible chemistry who are, unfortunately, in relationships with other people.

What makes the movie such a joy is how the film plays with this idea. All the building blocks are in place, but the plot dances around them and subverts them. The scene where the Luke and Kate would/should kiss and fall in love is there. However, well, they don’t. Not then, and though the sexual tension is brimming between them, it never happens throughout the plot. Instead, the film looks at Luke’s relationship with his fiancée and Kate with her boyfriend while exploring the nature of Luke and Kate’s relationship. It’s been classified as a romantic comedy of sorts, but it disregards elements of the genre at will. Drinking Buddies teases the idea of a romance, but ultimately tells a story about, well, drinking buddies.

For someone who consumes as much media as I do it’s always fun to see a story that does something different (in a meaningful way, as opposed to just adding lesbians). Pacific Rim hit every beat the usual blockbuster does, but did so while running its own commentary on the world as it is. But I’ve written extensively on that movie (and will continue to do so), let’s look at another movie.

Like (500) Days of Summer (so much for something new). Like Drinking Buddies, it’s been billed as a rom-com and it, for all intents and purposes, at first seems to shape up to be one. One of the earliest scenes is of Tom and Summer sitting on a bench holding hands, a ring on her finger. We’re told this takes place on day 488, so we know it’s near the end. As an audience, we expect Tom and her to end up together, even as we see their relationship fall apart.

Many of the tropes of the romantic comedy are in full effect, yet they’re used almost ironically. Tom’s happy walk after getting together with Summer concludes with a flash-forward to his dejection after they break up. The whole idea of Meeting The One is taken brutally apart. But then, the narrator did say it was a story of boy meets girl, but not a love story. It plays with what we’d expect from the sort of movie it is, ultimately giving us something very different. And y’know what? It works.

Similarly, one would expect Scott Pilgrim vs The World would be a relatively straightforward movie: Scott fights Ramona’s seven evil exes in order to be with her. Basically an action movie’s formula mixed with a romantic comedy. Easy.

Only, this is Edgar Wright; it’s never that simple. As I said a couple weeks ago, the movie offers an interesting look at what’s vital in relationships. This isn’t what you, heck, this wasn’t what I expected at all when I first saw the movie. The movie seemed simple enough going in, but proved itself able to supersede both genres to create something new. Edgar Wright gave us an honest look at relationships through a comedic, video game-y, action-y lens. It did something different.

Back to Drinking Buddies, a movie unlike much else you’ll see; it’s slow, the dialogue is improvised, and not much happens. It’s a slice of life. I saw it based on a poster I’d seen a few months ago outside an independent cinema (and hey, Olivia Wilde and Anna Kendrick) and while watching expected it to go the rom-com route. But it didn’t, and it didn’t in a way that made for an interesting story. And for that, it succeeds.

 

Writer’s note: The discrepancy that I harbor an intense dislike for Blue Is the Warmest Color yet really liked Drinking Buddies is not lost on me. Especially given the critical/audience dissonance on the former (that is, audiences didn’t like Drinking Buddies as much as critics did). Chalk this one up to personal taste.

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