I’ve recently begun watching Parks and Recreation, and by recently begun I mean about five seasons in two weeks. The miracle of Netflix.
In any case, the show’s fantastic and I lack any sort of Netflix Binger’s Remorse (and wanna get caught up as soon as I can). One of the reasons it’s so great is its bucking of typical sitcom trends.Parks and Rec isn’t a mean show. Whereas a lot of other sitcoms, including the prior one with Greg Daniel’s name attached: The Office, create their comedic situations through conflict between the main characters, much of Parks’ humor comes from the outside. Thus in The Office you’d have one character trying to con over the other, to much amusement. The Big Bang Theory thrives on the rest of the group trying to get one over Sheldon. The Parks Department, however, is always a team. Sure, there will be parts where they compete, but it’s never malicious. They’re a team, a team against the frustrating citizens of Pawnee, the snooty residents of Eagleton, and other departments in their government.
This teamwork lends the characters a strong sense of family. Now, this isn’t there from the beginning, rather they grow into it — and their roles in said makeshift family — over the seasons. And here’s another thing Parks does that most sitcoms don’t: they let their characters change and develop. All of the main cast is surprisingly well rounded. Sure, some seem one note at first, but as the show progresses we get to know them more and find facets of them we would never have expected. When the gruff Ron shows that he cares, or as Chris grows less self-obsessed they feel more rounded and we can really watch their bonds form. It makes them feel more real.
Neither are the characters forced to remain professionally stagnant. Leslie doesn’t stay the deputy director of the Parks Department, instead the writers let her career progress. See, it’s a risky move, they’ve proved that the bunch of co-workers interacting works, but they’re willing to go past that formula (which also shows in the developing characters). Tom too ends up leaving the Parks Department and tries his hand at entrepreneurship. It’d be easy for a recurring joke to be his constant failures. Instead, we see Tom try his hand, and yes, we do see Tom fail, but we also see Tom make changes to his approach and outlook in order to eventually succeed. It’s refreshing and really cool to see happen in a sitcom.
Parks and Recreation is an inherently political show, albeit on the scale of the local city government of a small town in Indiana. Leslie Knope is very obviously a feminist. Yet the show doesn’t preach it at you. Rather, we see Leslie combatting sexism in the often very out of date systems of Pawnee. For example, Leslie’s approach to the very male gallery of councilmen isn’t to become disheartened renounce it as an Evil Symbol of The Patriarchy, rather she wants to change things by being the first woman on the board. Feminism in Parks is an active thing. There’s no lecturing and posturing about feminism about it, instead we see why we need it and what can be done. Furthermore, the show doesn’t get caught up in its hubris: Leslie may spout rhetoric on occasion, but she isn’t on some sort of a pedestal. She’s not perfect because of her beliefs, rather, she’s a relatively normal, multifaceted human being.
So yes, Parks and Recreation is such a refreshing show. I’d seen bits of it prior, but now I’m finally sitting down and blasting through it. It’s a great show, and I want more shows like it.