Comics are weird. Especially superhero comics. There are people who come back to death, people with weird powers, people who lose those weird powers but then get them back when they come back to life. Also, y’know, aliens and monsters and crazy science crap.
Like I said, weird.
There are also multiple universes, and so multiple versions of characters. There’s a version of Captain America where she’s the biracial daughter of Luke Cage and Jessica Jones and beats up a version of MODOK who looks like a certain American politician. There’s one where Mr. Fantastic is a villain, like, the villain.
And, of course, there is a ridiculous number of variations on Spider-Man. A lot of them are, of course, Peter Parker in one form or another. Spider-UK is a British Spider-Man. The Ultimate universe saw a return to a younger Peter, one who, incidentally, dated Kitty Pryde for a while. And out there somewhere is Spiders-Man, wherein Peter Parker’s consciousness was passed on to a horde of spiders (it’s weird).
The Spider-Verse event from a few years ago saw a whole mess of Spiders teaming up to fight the Inheritors, a group of pseudo-vampires who feed on the essence of spider-powered beings across the multiverse. A variety of new (and old) Spiders were (re)introduced; including Spider-Gwen, from Earth-65, where Gwen Stacy was bitten by the radioactive spider and so got the powers. Spider-Verse saw these Spiders teaming up together, so the Spider-Man from Marvel VS Capcom used fighting moves, and the Spider-Man from an old Japanese show had a giant robot.
Essentially, the Marvel universe has a bunch of different Spider-People, and sometimes they hang out (and one version of Gwen Stacy gets to complain about getting, and I quote, “fridged off a bridge”). It’s definitely pretty outlandish, and also something pretty unique to comics.
And now we have the movie Enter The Spider-Verse. I’m going to forgo talking about how the film’s animation style is a love letter to comics and just focus on the story of it all, namely how multiverses play a huge role and we’ve a bunch of different Spiders.
Quick rundown of the dramatis personae: in addition to Miles, the Spidey-in-training, you’ve Peter Parker, an experienced Spider-Man from his universe; Gwen Stacy, Spider-Gwen who knows what she’s doing; Spider-Man Noir, a hard-boiled guy who’s literally in black and white; Peni Parker, who’s basically from an anime; and Peter Porker, who’s, um, a pig, but also Spider-Man (Spider-Ham, to be exact).
Miles, our protagonist, gets to interact with four alternate versions of Spider-Man, each of whom provide a different take on the character, and, for Miles, a different version of who he could be. Much of Miles’ arc revolves around him learning how to be Spider-Man and what all that means. For a good chunk of the movie, that means he’s trying to emulate a Peter Parker, wearing a knock-off of another Spider-Man’s costume, playacting at being someone else. He is not his own hero yet, rather he is attempting to be someone else. It is no spoiler, then, that Miles’ self-actualization sees him making his own suit; one that is uniquely him. He’s the only one who can really decide what to do with the powers that’s been given to him — and with it the responsibility.
The central tension in so many great Spider-Man stories is that of power and responsibility. How does Peter (or Gwen, or Miles) navigate that space between the two, that fatalistic flaw of needing to use that power to protect, but at the cost of one’s own well-being? The multiversal nature of Spider-Man allows for a multitude of interpretations and interactions, tackling these themes from a host of different angles. Events like Spider-Verse let these characters team-up and has their takes on power and responsibility clash or feed off each other. So then we have Into The Spider-Verse, where Miles sees these different takes on who he could be. It’s up to him to figure out just who that is, what is expected of him and what he will do. By having all these different versions of Spider-Man, Miles is given the space to create his own.