Guns.

Let’s talk about guns. Particularly the way we relate to them in fiction, particularly how I relate to them through the fiction I consume.

First, however, real life. I’ve handled guns before, fired shotguns and rifles with friends in the American South, and trained with an assault rifle on a range. I mention this to say that I’m very aware of what these weapons can do, I’ve felt the recoil and smelt the gunpowder, I’ve watched a machine gun obliterate a tree trunk. There’s little doubt in my mind of what these awesome and terrible machines can do.

I’ve been thinking about violence in video games for a long time. In light of certain recent events, I’ve been thinking about guns too, and the relationship I have with them — particularly the way I interact them with most: video games.

Guns are also a big part of many video games, especially the First-Person Shooter genre and its cousin, the Third-Person Shooter. By being, well, a shooter, they feature guns. Sometimes it can be simple, as in Halo where there’s a single assault rifle, pistol, shotgun, etc; or more complex like in Borderlands where there’s a whole cornucopia of different shotguns, rifles, and what have you. Different games treat their guns differently.

In the Uncharted series, guns play the same role they do in a pulpy action movie like Indiana Jones or Mission: Impossible. They add tension, what with offering Nathan Drake a good deal of peril as he and his allies galavant around the world. To get from A to B, Nate’s gotta fight his way past these mercenaries with a combination of stealth, fisticuffs, and gunplay. Of course, guns aren’t the only way for the player to interact with the world in these games, there’s also finding treasure, solving puzzles, and a lot of death-defying climbing. The tension here comes from a lot of places, and the gun-based violence is only one, admittedly big, facet of it.

Come Uncharted 4: A Thief’s End, though, guns take something of an optional back seat. Yes, you can still shoot your way through things, but there’s a bigger emphasis on exploration and avoiding conflict altogether. The wonderful chapter “At Sea” is all about Nate and his brother treasure hunting in a small archipelago, with nary a gunfight in view.  The game has a more mature approach to violence, one that shows just how far the series has come in the nine years since its inception.

In between the third Uncharted and A Thief’s End was The Last Of Us, an entirely new game by developer Naughty Dog. In a strong departure from the pulpiness of Uncharted, The Last of Us is absolutely brutal in its violence. Enemies beg for their lives, the infected weep as they shuffle around. Killing is not fun, and when you do get a hold of guns — and their all too little ammo — the brutality of it all borders on horror. I suspect that A Thief’s End’s less cavalier attitude towards gunplay was influenced by Naughty Dog making The Last of Us, but that’s another thing altogether.

The Uncharted games feature a mix of real-world guns (like the FAL and AK-47) alongside fictional ones. They add a measure of ‘realism’ to the game, not terribly like how an action movie would use specific guns for specific situations — an American soldier would probably favor an American assault rifle, while that gun-for-hire might have one made by a foreign manufacturer. Metal Gear Solid realized this and peppered its world with real weapons, like the French FAMAS, German PSG1, and American FIM-92 Stinger. MGS is a far more serious military game than my prior examples, so it makes sense they’d wanna get super real with it and talk about the nitty-gritty of the guns. The later games expand on the assortment of weaponry, getting up into having dozens of different guns. But as they do, so too do they discourage you from wanton violence: using non-lethal methods of taking out enemies can net you a better score or provide you with more personnel for your base. Just because there are a whole bunch of guns there for you to use, doesn’t mean you have to actually run around shooting people. The Metal Gear Solid series is profoundly anti-war, in the sort of way only someone who grew up in post-WW2 Japan could create.

Which brings me to the Call of Duty games. A series of military FPS, the fourth game Modern Warfare brought them into contemporary warfare and, with it, the associated guns too. Though the original Modern Warfare did a lot of really cool things with its setting (hey, ever experienced a nuke going off while playing in first-person? It’s terrifying), the series got steadily more pulpy as it went on. That said, however, the game’s attitude towards its violence remained very rah-rah kill-the-bad-guys-yay! in ways that Uncharted and Metal Gear Solid never were. There’s a point where the games, and the marketing around them, started to become unsettling with how gung-ho they were about the variety of weaponry the games offered to be a soldier from a Western nation shooting up the third-world. I stopped following the series some time ago, its celebration of militarism and what went along with it becoming something I really didn’t like engaging in.

On the totally opposite side are the Borderlands games, wonderful shooters set in the distant future on the distant planet of Pandora. I’ve been playing a lot of Borderlands 2 with my brother lately, and the game’s such an utter delight. Part of the game’s appeal comes from its core loop: shoot enemies, get better guns, level up, repeat. Guns are procedurally generated, and in addition to the more traditional sort of weaponry, you can get an assault rifle that shoots rockets, shotguns that hurl balls of electricity, and a cursed submachine gun that screams when you fire it. It’s bonkers, and the guns are a big part of the game; it’s always exciting to find a new, unique gun and take it for a spin. But I think that unlike Call of Duty, Borderlands doesn’t fetishize guns. Sure, they’re cool, and a big focus of the game and marketing, but narratively they end up ancillary to the crazy characters and quests that populate the world. Maybe the fact that the guns are procedurally generated plays a part in it, but honestly, I’m willing to bet that it’s just the way the developers think. The guns are, ultimately, tools, and not the focus of the game — all this despite it being a First-Person Shooter.

Honestly, I wish I had a tidy and pretty answer to all this, especially after eleven hundred words. Yet I feel like I haven’t even scratched the surface. I love how Destiny’s exotic weapons are treated like Excalibur and Andúril, only guns instead of swords. Portal has a gun but it shoots portals instead of bullets, really screwing with assumptions of the FPS genre. The guns in Horizon Zero Dawn are terrifying weapons in a world of bows, spears, and robot dinosaurs. It seems like just about every single video game has a different relationship with guns, just as every player probably has a different relationship with pulling the controller’s trigger. 

But I don’t believe that video games and their violence have much in relation to real-world violence — and neither does the science. Granted, something like Call of Duty is far more popular in the US than elsewhere, but that’s arguably more a reflection of the militarism that is part of American culture. I know that for me, a lot of these games are a great way to relieve stress; the catharsis of mowing down Psychos and Nomads in Borderlands 2 with my brother offers an odd sort of zen following a week of depressing news. Perhaps I’m good at compartmentalizing, in that I can easily differentiate between fantasy and reality, and am happy to dive into one to escape the other. My brother and I have killed each other hundreds of thousands of times in virtual deathmatches, but I’m sickened to my stomach by the idea of holding a real rifle against him. 

There’s a lot at play here, and the culture around guns certainly does involve video games (there’s a fascinating article on the Barret M82 rifle and how it’s placement in games has affected the real world), but it’s one that applies to other media too. At the end of it all, though, these games have given me experiences unrivaled. Uncharted took me on adventures, The Last of Us left me a sobbing wreck, Metal Gear Solid has given me eerie chills with its storytelling (even as I go on joyrides). I’ll always love playing Halo, Borderlands, or Army of Two with my brother, cracking jokes and drinking beers as we shoot bad guy after bad guy. They’re fun, a lot of fun, but I owe it to myself to interrogate why they’re fun and be aware of the relationship between fiction and reality.

Ultimately, though, when it comes to real life, video games don’t kill people. Guns do.