Parasite Won

Like many people who claim to not care about award shows, I do begrudgingly give a crap about the Oscars. There’s a reason; it’s effectively a barometer for what is considered a Good Movie for a given year, and even if it’s a horribly skewed system that prefers a certain type of film, it remains a cultural touchstone. ‘Oscar-Winning’ means something, whether we like it or not. No other award comes near as close for the glitz, glamor, and prestige. I like to say I don’t care about it because the things I like and value are seldom acknowledged by it (I maintain that Jackie Chan’s Police Story is a masterwork and that is a hill I will die on).

All that said, my heart skipped a beat when I got the notification that Parasite won Best Picture on Sunday. There’s a lot to why that is.

For starters, Parasite is a plain bonkers movie — in the best possible way. It’s hard to describe it too much without giving away what a roller-coaster ride it is. Suffice to say, it dances between genres with unmatched grace while never losing sight of the sort of story it’s telling.

It’s also in Korean, with a Korean cast, and subtitled in English.

Subtitles, are apparently, a big deal. I grew up watching movies with subtitles (since sometimes the movies I watched weren’t in English, and sometimes I just wanted to be able to read everything that was said). Plus, I remember being told that when watching stuff like Anime, the fan-subs are usually better than the official dubs. Point is, the idea of watching something with subtitles wasn’t unusual, especially if it wasn’t in English.

Thus I was more than a little surprised when I heard the disdain people had for subtitles in the States. The idea of not liking subtitles, or refusing to watch something because of subtitles, made no sense whatsoever. I eventually conceded that I guess it could be distracting, but still, lousy excuse. In the lead-up to last Sunday, there was buzz around Parasite, but a lot of it was about how there’s no way the Academy would vote for a movie that wasn’t in English and, gasp, had a lot of subtitles.


It’s discouraging. Implicit in the commentary is the message that the Establishment doesn’t want a movie done by Outsiders in its space. That if your movie isn’t in English there’s no space for it here. Good luck if it’s Korean-made, or really anywhere non-Western. It’s just not ‘good’ art.

There’s a stratification to art. Pulpy stuff, like science-fiction, superheroes, and other ‘fun’ genres, is at the bottom. Drama’s a big deal, and there’s room aplenty for dramatic French movies because, hey, they’re French, they damn near invented cinema. Stuff from other places just doesn’t pass muster. I firmly believe that the reason Jackie Chan is not held as an auteur like Wes Anderson or Quentin Tarantino for his work in the 80s is because it’s all in Chinese. And it’s pulpy.

All this to say, finding out that Parasite won blew my mind. Seeing clips of Bong Joon-ho on stage with the awards, speaking in Korean at the Oscars, was delightful. No, I’m not that kind of Asian, but to see someone familiar means a lot.

I still think there’s a diversity problem when it comes to awards (that none of the cast got any acting nominations is ludicrous, and that the Directing candidates were, Bong aside, very white and very male is disappointing). We gotta give the time of day to stories told by people who aren’t white guys because there’s a lot to be told, and, whaddya know, it’s actually good.

So yes. Here’s to more of that, please and thank you.

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